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Articles Archives

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Displaying articles # 946 - 965

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Good Writing
Is Still Good Writing

(ASK AN EDITOR)

Summary: We've been talking of late a lot about how the blast of online publishing has affected both the fiction and nonfiction book business. From the writer's standpoint, the doors now seem wide open to achieving that elusive dream--seeing one's novel in print.
Read more.

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E-Mail Queries
Provide Great Way
For Writers to Break In

(SPECIAL REPORTS)

Summary: Fielding email queries diminishes that Catch-22 of being an unknown and not knowing anyone in the business, yet having a perfectly wonderful property, but not having access.

Read more.

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Learning To Take
Criticism Key
To Writer?s Success

(ASK AN EDITOR)

Summary: Often we have a misperception of exactly how creativity translates to the page. The mistaken belief swirls in the back of our minds that learning the SKILLS of the trade will somehow mar the pristine qualities of inspiration and talent.
Read more.

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Book Packaging :
A World to Explore

(SPECIAL REPORTS)

Summary: There seems to be a new word floating around publishing circles lately. That word is packaging?book packaging, to be more precise.
Read more.

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Considering
Self-Publishing?
Examine Pros and Cons

(SPECIAL REPORTS)

Summary: Many writers frustrated with the state of traditional publishing ask whether they should self-publish with one of the big "vanity" publishing sites now proliferating on the web.
Read more.

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How Will Online
Publishing Impact Fiction?

(ASK AN EDITOR)

Summary: Last month we talked about how the proliferation of online publishers has impacted the nonfiction industry (which is going great guns), so now let?s focus on fiction.

Read more.

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New Technologies
Can't Displace Essential
Work of Book Editing

(SPECIAL REPORTS)

Summary: The recent investment of major booksellers and publishers into large online vanity publishing organizations strikes a passionate chord
Read more.

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Content Still Reigns
In Electronic Book Age

(ASK AN EDITOR)

Summary: Will all of the technological advances in publishing change books themselves? In other words, will this influence the content of what people are reading, the kinds of books that publishers present to them, and therefore what writers write?

Read more.

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Those First Fifty Pages

(MAILBAG)

Summary: You?ve written a brilliant query letter, which persuades an editor or agent to ask for the first fifty pages of your novel.
Read more.

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Turning Fact Into Fiction:

(BOOKVIEWS (Text))

Summary: Writing The Suspense Thriller
Read more.

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Knowing One's Genre:
It's Only Half The Battle

(ASK AN EDITOR)

Summary: As everyone who's tried to sell a manuscript knows, books to be published are divvied up into genres and categories (which may or may not be apparent on bookstore shelves).
Read more.

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Finding a Syndication Agency

(SPECIAL REPORTS)

Summary: An excerpt from Chapter Two of Sussessful Syndication, A Guide For Writers And Cartoonists,
reprinted with permission of the author and Allworth Press, ? 2000
Read more.

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In A Lonely Little Room:
How It Feels To Be A Writer

(ASK AN EDITOR)

Summary: Writing is a convoluted business. Not just the business of the business, but the actual fashioning of a book, which is something quite different from putting words on paper. Anybody can write a book, no?

Read more.

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Making A Good Writer Great

(SPECIAL REPORTS)

Summary: A Creativity Workbook for Screenwriters
Read more.

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The Difference Between Polishing and Rewriting

(ASK AN EDITOR)

Summary: We have a HUGE misconception in the writing world about what constitutes
revision. Many confuse copy editing and polish with rewrite.
Read more.

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The Art of Fiction Writing
or How to Fall Down the Rabbit Hole Without Really Trying,

(SPECIAL REPORTS)

Summary: So you need some inspiration?
Try some RPC: Risk, Passion and Creativity
Read more.

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Tackling The Dreaded Query Letter

(ASK AN EDITOR)

Summary: Thefirst thing any agent or editor will see is your query and synopsis, so of course, these things drive writers insane. How to catch their eye? To tease or tell all? How to look professional and still creative? A one-pager or detailed outline?

Read more.

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The Ink-Stained Wretch
Connecting With Your Reader
Part III: Action

(GUEST COLUMNISTS)

Summary: Having discussed point of view and characterization we come to the final leg of this tripod that holds our story up: action.

Read more.

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Guerrilla Articles

(SPECIAL REPORTS)

Summary: From Marketing Strategies for Writers, reprinted with permission of the author and Allworth Press, ? 1999
Read more.

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Sound: Its Importance In Prose

(SPECIAL REPORTS)

Summary: Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences,...
Read more.

Do Writers Really Need New York? Part III

(ASK AN EDITOR)

Summary: We?ve been talking in recent months about which publishing routes work best for writers (the as-yet unpublished and established authors as well), especially in light of the mergers and shakeups inside the large houses, and the general "nervous state" of e
Read more.

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